I was the Dailies Colorist working with The Rebel Fleet as the primary point of digital imaging and color confirmation on the production of Forgive us All. Working with Alexa35 and DJI X9 cameras I graded and collated data using The Rebel Fleet Sidecar platform that combines on-set data for editorial.
We worked off set closely with the editorial team to deliver rough cuts for the director each day including daily color viewings on OSD.
Roles: Dailies Colourist, Data wrangler